23 May, 2007

Brahma sambandh

Brahma sambandh an historical event

The means to attain God are many. Some are difficult some are easy. All are fairly long journeys.

Bhagwan Shree Krishana states in the Gita that

“A minuscule part of Me is present in all living things”

Jiva has Bhagwad ansha; a minuscule part of God. This truth is difficult to comprehend because we do not realise the closeness we have with Thakurji. We have become engrossed in the material world. Our lives are full of activity hence we rarely ask deep rooted questions about who we are, where we are going.

On Sharawan Ekadasi Mahaprabhuji along with Damodardas Harsaniji were at Gokul on the banks of Shree Yamunaji. At Govind Ghat (ghat is a area which allows safe access to the river that flows).

Shree Mahaprabhuji was perplexed by a thought. How do the divine beings get seva or an opportunity to serve Thakurji in this Kali Yug? More specifically the Vedas do not have a means of liberating Women and Sudhras. Therefore what was to happen of Women, Sudras and non Hindus. This was the question that Shree Mahaprabhuji was worried about.

Then at about midnight Shree Nathji appeared (in Lalit trabhangi mudra) and ordained Mahaprabhuji.

The divine souls should take Braham Sambhand. In order to be fit to receive communion with Thakurji their “doshs”will be absolved.

Once this is done I (Thakurji) am ready to accept the soul. After Braham Sambhand they should offer everything they partake to me first. Then to take themselves.

Therefore everything we take must be offered to Thakurji as already mentioned.

This is the the jewel in the Crown and is a very important initiation that many people seldom obtain it!

This ceremony makes you realise that relationship that exists between you and Thakurji. When you take this initiation you have to be fairly certain as to what you are doing. As always you have to find a Goswami Balak who will initiate you.

The importance of Bhrama Sambandh lies in the fact that in the ceremony you offer all that belongs to you to the feet of Thakurji. You offer your body, your soul, your wealth, your husband/wife, your children and everything else that belongs to you which would cause you to be attached to objects. All these are offered to Thakurji and you accept His refuge and become a 'das'. A humble servant of Thakurji. You then humbly bow to Thakurji and offer a token of your gratitude.

Later on you Guru will instruct you as to the seva you should perform and jap you should perform. In return you offer your Guru a token of your gratitude for showing you indebtedness and in directing you to the true path to God realisation and opening the door to Thakurji Gaulok..

These days people often forget the importance of Bhrama Sambandh and how precious it really is. People assume it to be a minor thing but in fact it should be more valued than the Koohinoor diamond.

To assess the value of a diamond you have to take it to a jeweller. Similarly Bhrama Sambandh is like a diamond and only some people can appreciate its importance and its value. The Bhrama Sambandh or 'diksha' is only to be give to some 'special jivas' and is not meant to be for all.

By taking Bhrama Sambandh you have turned a new leaf, it’s a new beginning your sins have been absolved by Mahaprabhuji and you make a fresh start on the path towards Thakurji. Mahaprabhuji also gives you a guarantee that your soul will not have a 'laukik gati'.

12 May, 2007

108 Names of Shri Krishna (With Meaning)

Acala-dharaka – He who lifted the Govardhana-hill
Acyuta –He who is infallible
Aghasura-vinasi – He who defeated Agha-demon
Barhavatamsaka – He who wears a peacock-feather
Bhakta-vatsala – He who is affectionate towars His devotees
Bhramaka – He who is a cheat
Bimbasya – He whose lips are like bimba-fruits
Caru-locana – He who has beautiful eyes
Caura-jara-sikha-mani – He who is the crest-jewel of thieves
Dama-baddhahvayi – He who was bound with a rope
Damodara – He who was bound around the belly
Danindra-candra – He who is the king of moonlike tax-collectors
Dhenukasura-sanghata – He is the killer of the ass-demon Dhenuka
Dina-bandhu – He who is the friend of the fallen
Ghana-syama – He who is of a darkish colour (ghana and syama both mean darkish, blackish)
Giridhari – He who is the lifter of Govardhan
Girivaradhari – He who is lifter of Govardhan, the greatest of mountains
Gokulananda – He who gives bliss to Gokula
Gokulananda-kari – He who is the cause of Gokula’s bliss
Gokula-bandhu – The friend of Gokula
Gokula-candra – He who is the moon of Gokula
Gokula-ranjana – He who delights Gokula
Gokula-vallabha – He who is dear to Gokula
Gokulendra – He who is the king of Gokula
Gopala – He who is a cowherd-boy
Gopala-kamini-jara – He who is the paramour lover of the passionate cowherd ladies
Gopala-ramani-bharta – He who is the master of the young wives of the cowherds
Gopali-citta-harta – He who stole the minds of the gopis
Gopanganavrta – He who is surrounded by beautiful-limbed cowherd ladies
Gopa-nari-priya – He who is dear to the wives of the cowherd men
Gopa-svami – He who is the lord of the cowherds
Gopa-vesa-dhara – He who is dressed like a cowherd
Go-patha – He who follows the path of cows
Gopati – He who is the master of cows
Gopati-nandana – He who is the prince of the cowherds
Gopendra-nandana – He who is the son of the king of cowherds
Gopika-priti-ranjana – He who delights the gopis with His love
Gopi-jana-vallabha – He who is dearmost for the gopis
Gopinatha – He who is the master of the gopis, or He whose master are the gopis
Gopika-nayanananda – He who delights the eyes of the gopis
Gopika-prana-vallabha – He who is lord of the lives of the gopis
Gopi-kanta – He who is the lover of the gopis
Gopi-prana-dhana – He who is wealth of the life of the gopis
Gopi-priya-jana – He who is the dearmost of the gopis
Gopi-raksana – He who protects the gopis
Gopi-vastra-haraka – He who stole the gopis’ clothes
Gopi-vimohana – He who enchants all the gopis
Gotra – He who is the protector of cows
Govardhana-dhari – He who held up Govardhan with His hand
Govinda – He who gives pleasure to cows, gopis, gopas and senses
Govinda-gopala – He who is the cowherd boy who gives pleasure to cows, gopis and gopas
Hari – He who steals
Indivara-dala-syama – He is dark like a blue lotus petal
Kama-kala-nidhi – He who is expert in amorous arts
Kamalabha – He who is like a lotus
Kamalaksa – He who has lotus-eyes
Kami – He who is passionate
Kana – An affectionate nickname of Krishna
Kanhaiya – An affectionate nickname of Krishna
Kala-nidhi – He who is a treasurehouse of artistic skils
Kalindi-prema-puraka – He who is a flood of love flowing in the Yamuna
Kaliya-damana – He who subdues the Kaliya serpent
Kamadeva – He who is the god of love
Kamala-locana – He who has lotus eyes
Kamala-mukha-lolaksa – He who looks at Radha’s face with eager eyes
Kamala-patraksa – He whose eyes are like the petals of lotus flowers
Kandarpa – He who is like Cupid
Kandarpa-dipanah – He who awakens amorous desires
Kandarpa-koti-lavanya – He who is equal to millions of Cupids
Karuna-sindhu – He who is an ocean of mercy
Kesava – He who has beautiful hair
Kesi-ha – He who killed the Kesi-demon
Kesi-vadha – He who killed the Kesi-demon
Kisora – He who is a youthful boy
Kokila-svara-bhusana – He who is ornamented with a voice like that of the cuckoo-birds
Krpa-kara – He who is merciful
Krsna-candra – The moonlike all-attractive one
Kunja-bihari – He who enjoys in the forest groves
Lavanya-lahari-sindhuh – He who is an ocean of waves of handsomeness
Lila-kamala-pujita – He who is worshiped with a pastime lotus
Lila-manusa-vigraha – He who enjoys pastimes in a human form
Madana-manohara – He who steals the mind of Cupid
Madana-mohana – He who enchants Cupid
Madana-gopala – He who is a Cupid-like cowherd boy
Madhava – He who is beautiful like the spring-season, who is intoxicating like honey-wine, and who …
Madhumardana – He who extracts honey
Madhusudana – He who defeated the Madhu-demon, or He who defeats honey in sweetness, and He is the husband (dhava) of all beauty (ma).
Mala-kara – He who makes garlands
Manohara – He who captures the mind
Mina-ketana – He who is like Cupid
Mukunda – He who is the giver of liberation
Murali-manohara – He who enchants with his fluteplaying
Murali-vadana – He who is the player of flute
Murari – He who is the enemy of Mura-demon
Nagara – He who is a lover
Nanda-dulala – He who is the dear son of Nanda
Nanda-gopala – He who is the cowherd boy of Nanda
Nanda-kumara – He who is the son of Nanda
Nanda-nandana – He who is the son of Nanda
Nanda-kisora – He who is the youthful son of Nanda
Nanda-suta – He who is the son of Nanda
Nanda-tanuja - He who is the son of Nanda
Navanitasana – He who enjoys fresh butter
Navanita-taskara – He who steals fresh butter
Nava-yauvana – He who is eternally youthful
Navina nirada – He who is like a fresh raincloud
Parama-karuna – He who is supremely merciful
Phullaravinda-nayana – He whose eyes are like blossoming lotuses
Pitambara – He who is dressed in yellow clothes
Prananatha – He who is the lord of life (of the Vrajavasis)
Prema-niketana – He who is a divine abode of prema
Priya-karaka – He who acts in a lovely way
Pundarika – He who is like a lotus flower
Pundarikaksa – He whose eyes are like lotuses
Putana-moksa-dayaka – He who liberated Putana
Radhalingana-sammoha – He who is bewildered by Radha’s embraces
Radharadhayita – He who worships Radha
Radha-citta-pramodaka – He who delights the mind of Radha
Radha-hrdayambhoja-satpada – He who is the bumblebee attracted to the lotus of Radha’s heart
Radha-kama-phala-prada – He who gives the fruit of Radha’s desires
Radha-kanta – He who is a lover of Radha
Radha-manmatha-vaibhava – He who is the Cupid who attracts Radha
Radha-mohana – He who enchants Radha
Radha-mukhabja-martanda – He who is the sun who makes the lotus of Radha’s face bloom
Radha-nartana-kautuka – He who is eager to dance with Radha
Radha-nayaka – He who is the lover of Radha
Radha-natha – He who is the lord of Radha
Radha-pati – He who is the master of Radha
Radha-prana-natha –He who is the lord of Radha’s life
Radha-prana-sama – He to whom Radha is as dear as His life
Radha-ramana – He who gives pleasure to Radha
Radha-rati-sukhopeta – He who enjoys amorous pastimes with Radha
Radha-sanjata-sampriti – He who is overjoyed because of Radha
Radha-vadanabja-madhuvrata – He who is a bee attracted to Radha’ lotus face
Radha-vallabha – He who is the beloved of Radha
Radha-vasi-kara – He who fascinates Radha
Radhikanandana – He who gives bliss to Radhika
Radhika-ranjana – He who delights Radhika
Radhika-ramana – He who gives pleasure to Radhika
Radhikanatha – He who is the lord of Radhika
Rajiva-locana – He whose eyes are like lotuses
Rama – He who gives pleasure, He who enjoys
Ranga – He who enjoys
Ranga-mahiruha – He who is a tree of enjoyment
Ranjaka – He who is charming
Ranjana – He who is charming
Rasavihari – He who is the enjoyer of rasa
Rasaraja – He who is the king of relishers
Rasa-rasayana – He who brings nectar of life to the rasa-dance
Rasika-sekhara – He who is the best among enjoyers of rasa
Rasikendra-sekhara – He who is the king among the best relishers of rasa
Rasikendra-cudamani – He who is the crown-jewel among the kings of rasa
Sankhacuda-vadhoddama – He who killed Sankhacuda-demon
Sarva-kama-pradayaka – He who is the fulfiller of all desires
Sikhanda-cudaya – He who wears a peacock-feather in His head
Sindura-tulitadharah – He whose lips are red like sindura
Srngara-murti – He who is the very form of amorous love
Subha-darsana – He who is beautiful to behold
Su-bhru-yugala – He whose two eyebrows are beautiful
Su-kapola-yuga – He whose two cheeks are beautiful
Su-lalataka – He whose forehead is beautiful
Sundara – He who is beautiful
Syama – He who has a darkish complexion
Syamasundara – The beautiful, bluish Krishna
Tribhangi – He whose form is bent from three places
Trnavartantaka – He who was the end of Trinavarta demon
Ujjvala-vigraha – He who is the very form of conjugal love
Ulukhali – He who was bound to a grinding mortar
Vanamali – He who wears a beautiful garland of forest flowers
Vamsi-dhari – He who carries a flute in with Him
Vamsi-vihari – He who rejoices in playing His flute
Vamsi-gopala – He who is the flute playing cowherdboy
Vamsivata-vihari – He who enjoys at Vamsivata
Venu-vadya-visarada – He who is an expert flute-player
Visalaksa – He who has large eyes
Vraja-jana-palana – He who protects the Vrajavasis
Vraja-mohana – He who bewilders Vraja
Vraja Uttamsa – The flower-crown of Vraja
Vrajendra-nandana – He who is the son of the king of Vraja
Vrajera rakhala – He who is the protector of Vraja
Vrndapati – He who is the master of Vrinda
Vrndavana-candra – He who is the moon of Vrindavana
Vrndavana-cara – He who roams in the forests of Vrindavana
Vrndavana-natavara – He who is the most expert dancer in Vrindavana
Vrsabhanusuta-pati – He who is the master of the daughter of Vrisabhanu
Vrsasura-vighataka – He who defeated the Vrisa (Arista) demon.
Yamalarjuna-mukti-da – He who liberated the Yamalarjuna-trees
Yamuna-tira-sacari – He who wanders on the banks of Yamuna
Yasoda-dulala – He who is the darling son of Yasoda
Yasoda-khani-mani – He who is a jewel from Yasoda’s womb
Yasoda-nandana – He who is Yasoda’s son
Yasoda-vatsala – He who loves Yasoda
Yasoda-yasa – He who is the fame of Yasoda
Yasomati-nandana – He who is Yasoda’s son.

7 May, 2007

Daily routine of Vaishnavas

Daily routine of

Vaishnavas


This is the ideal daily routine which the vaishnavas must follow

Wake-up early : There is a saying “Early to bed & early to rise; that is the way to be healthy, wealthy & wise!!”. Even from the point of view of the Hindu-shastra granths it is advisable to wake up between 5-7 am, during this time the “Pran-vayu” – the breath which controls the heart – improves our health.

Kanthi darshan / charan-sparsh : The first thing to do after getting up is to hold the kanthi which we wear and touch them softly on our eyelids & head. After doing this do the charan-sparsh of the chitraji’s of Shrinathji, Shri Mahprabhuji & Shri Yamunaji (each & every room in a vaishnavas house must have these chaitrajis!). Only after all these activities are over must one go out of the bedroom.

Jai Shri Krishna” : When we meet the other family members for the first time in the morning we must greet each other with –“Jai Shri Krishna”- because everyone of our family member is a vaishnav also.

Charanamrut : After bath we must take charanmrut (The sweet-smelling sand of holy vrajbhumi which cleans our senses). Proper way of taking charanmrut is as follows : First put a little amount of charanmrut powder in the mouth (be careful that the fingers do not touch any part of the mouth), then apply the smeared fingers on the eyelids (for pure eyesight) and throat (for pure words).

Tilak : After taking charanmrut apply tilak on the forehead (only male vaishnavas). It is the duty of every vaishnav to apply tilak after each bath. The tilak which is of a particular shape is known as Urdhva-pundra tilak. Use kumkum only for applying the tilak and not chandan or sinbdoor. Be careful that the tilak is not too small or extra large, it must look nice on the forehead. The tilak is the footprint of Lord Shrimathji, applying it on the forehead depicts that the lotus feet of Shrinathji are there to help us in our troubles.

Sewa : If “pusht swaroop-sewa” is done in the household then each & every member of the family must atleast come & do dandvat (bow) infront of the swaroop. Ideally each member must do sewa personally but if it is not possible then atleast we must go and do dandvat in the sewa and pray that Shriji allows us to do his sewa at the earliest.

Going out : Before going out of the house we every member must do “Jai Shri Krishna” to the others and leave only after bowing infront of the chitraji in the drawing room (each & every vaishnav household must have a nice & big chitraji of Shrinathji in the drawing room).

Satsang : After dinner ‘satsang’ must be held in every vaishnav home, even if it is for a short period of 15 minutes only. In satsang we must read the vartas (stories) of the 84 & 252 Vaishnavas, Shiksha-patras, Gokulnathji’s Hasyamrut, etc. The routine must be such that one family member reads the varta while the others listen to him/her. There are many advantages of doing satsang such as :

  1. After a hard day at work the reading of the divine lives of these vaishnavas relieves us from the mental tensions & stress and acts as a good reliever.
  2. The children of the house get to know the principles of the sampradaya.
  3. We get to know the real swaroop of Shri Mahaprabhuji, Shri Gusainji & the Vallabhkul.
  4. If the whole family sits to do satsang then satsang can also bind the family members together as they get to know each other and spend some time in each others company.

5 May, 2007

What is a Baithak?

What is a Baithak?

Throughout India, the places where Shri Mahaprabhuji during aapshri's visits recited and conducted seminars on Srimad Bhagwat is called a Baithak or The seat.The details on these places is available to us entirely due to the efforts of Shri Gokulnathji (The fourth son of Shri Gusaiji).

Significance of a Baithak:

Till date also innumerable vaishnavs travel by rail and road to visit these Baithaks, at times travelling on hazardous roads leading to remotely situated Baithaks in forests and on mountains and take immense divine pleasure in paying respects to Shri Mahaprabhuji and performing any given tasks (Seva). In today's times while traveling many a miles to visit a Baithak, performing various duties (sevas) and understanding the importance of them in gathering top priority it is essential that we understand the significance of the same.

Shri Mahaprabhuji graced this earth for 52 years and 2 months during which thrice aapshri toured India barefoot only to spread the principles of Pushtimarg. Conducting Shrimad Bhagwat seminars, debating with scholars and heads of other religions and establishing the ethics of "Shudhadvaita Brahmavada" was a great task that aapshri undertook.

If we have some prior knowledge regarding the Baithak that we are scheduled to visit, its brief history and its significance etc. it is certain that when we are performing our various tasks there will be a sense of belonging to that place, a sense of the heavenly environment existing at Shri Mahaprabhuji's time and a divine aroma of Shri Mahaprabhuji's presence will be felt.

Our eagerness to be at the service of The Lotus Feet of Shri Mahaprabhuji and our concentration towards aapshri, i.e. teachings, morals is absolutely essential, let it be at the Baithakji or within our homes.

Shri Mahaprabhuji resides as our Acharyaji within a Baithakji. Therefore the environment within should be of a complimentary one to his nature. Simple, quiet and serene........easygoing and cool. Evenly handspread cowdung flooring and the seat where Shri Acharyaji used to be seated while conducting Srimad Bhagwat Sermons; exhales a sence of pure sanctity and purity. Of course due to maintenance problems, the cowdung floorings and seat have been replaced by white marble at few places enabling the devotees to keep the place clean.

Preparations prior to one's visit to a Baithakji :

1) A new/silk pair of clothes ( dhoti and indian kurta - bandi for gents and saree etc. for ladies).
2) A cloth body-wrapper for bathing.(Gamcha)
3) A new towel for use after bath.
4) The above should be preferably carried in a jute bag enabling one to handle it safely after bath.
5) For Shri Acharyaji's Seva ( as per ones capabilities and desire)
a) Raw Sugar (mishri)
b) Dry Fruits
c) Fresh Fruits
d) Dhoti and Uparna (a cloth draped around the neck on the shoulder)
e) Attar as per the prevailing season
f) Dry Kum-kum, 2 Kanthis ( dry tulsi beads strings)
g) Jap-mala (optional) and its its cover (Gaumukhi, also optional)
h) Cash offerings at Shri Acharyaji's lotus feet. (As per individual wish).

Apras:

In simple terms it would mean A Sparsh meaning not to touch or to be more simplified, not to touch anyone who is not in Apras. Once a vaishnav has a bath inside a baithakji, he is not to touch another person may it be a vaishnav also who has not had a similar bath in the baithak bath room. This is in order to prevent the opposite person's impure vibrations to enter one's body and mind.

After bathing in apras ( be sure that your body is completely soaked with water) and drying your self, wear the new clothes, adorn the kum-kum vaishnav tilak ( an inverted U sign on the forehead), take a pinch of Charanamrut, wash your hands and you are ready to go into Seva. If you are new and cannot do the tilak or for that matter have any difficulty at any stage please do not hesitate ask. Anyone within the baithakji, in or out of apras will help willingly.

What tasks can a devotee perform...What tasks can a devotee perform within a Baithakji ?Usually there is much work to be done in a Baithakji. Instead of waiting for someone to direct you, it is always better to ask for work.

Usually the normal tasks to be done can be categorised as follows :

1) Sweeping (doing Buhari)
2) Preparing flowers in a specific place (known as Phool Ghar) for various sevas
3) Attending "Doodh Ghar" or a kitchen where items relating to milk are prepared. In other words grains, oils, flour products are not made here. They are strictly banned in this area. In this section a complete range of milk products, sweetmeats, fruits and beetal leaf Sevas are performed. Here a vaishnav in apras can prepare a wide variety of sweets, milk products and arrange them artistically for offerings at various time of the day. Of course one should definitely bring along the ingredients for the items to be prepared and not expect them to be there at the Baithakji.

Please Note:

Every fruit should be washed, cut into proper shapes, cleaned of seeds etc.and arranged in an attractive fashion. Every item prepared is termed as a Saamagri and should be prepared with love, affection and without a self desire for consuming the same.Every care should be taken to see that no foreign particle falls into the ingredients or in the finally prepared Saamagri.


4) A vaishnav devotee, with the permission with the resident priest (mukhiaji), can also perform the "Kesar Snaan" or bathing Shri Mahaprabhuji with saffron melted in luke warm water. The method of performing the same will be shown by the mukhiaji at that particular Baithakji.

5) To fill "Jhariji" or ( A special form of snouted silver water jug used in ancient times to drink water).

How do we perform Charansparsh?

Charansparsh (touching the lotus feet)

a) Apply the Attar on right hands.

b) Then very delicately with right hand fingers first ask for permission from Shri Acharyaji respectfully and then lovingly touch the left toe and then the right toe and finally the left toe and then bowing down at the Lotus feet of Shri Acharyaji and then touch your fingers to the forehead.

Where are these Baithaks?

There are in all 84 Baithaks of Shri Mahaprabhuji spread accross India. Besides these there are 28 Baithaks of Shri Gusainji, 4 Baithaks Shri Giridharji, 1 Baithak each of Shri Balakrishnaji, Shri Raghunathji and Shri Ghanashyamaji, 13 Baithaks of Shri Gokulnathji and 7 of Shri Harirayaji. Apart from this, there are 3 Baithaks of Shri Damodardas Harsaniji. In all 142 Baithaks. Over here, the subject matter of this article is the 84 Baithaks of Shri Mahaprabhuji.

It is to be noticed that all these Baithaks are situated either on the banks of a river or a fresh water pond or on the outskirts of the village / town in an isolated place. You will also find a Chhokar tree in each and every Baithak as Shri Mahaprabhuji always sat under this tree except in Ujjain where there is a Peepal tree.

As mentioned earlier, these Baithaks are spread accross the whole nation. But we can segregate them zonalwise - in the north there are 39 Baithaks (out of which 22 are in Vraja), 18 in the south, 4 in east, 20 in west and 3 in central part of India. Out of these 84 Baithaks, 65 Baithaks have been physically revealed where devotees flock regularly for worship while the rest are yet to be discovered.

Baithaks are actually those sacred places where Shrimad Vallabhacharya Mahaprabhu has rested, halted or stayed for days, weeks or even months during His three pilgrimages throughout India in order to liberate the divine souls and/or to execute a specific task. It is here that Shri Mahaprabhuji read the entire Shrimad Bhagavatam or gave discourses on the sacred text revealing it's secrets. On exceptional occassions, He even read the Ramayana as in Ayodhya and Chitrakoot.

(This article is by Unnati Kadakia)

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